The New Yorker Radio Hour

Omer Bartov is an Israeli professor of Holocaust and genocide studies at Brown University. He grew up in a Zionist home and served as an officer in the Israel Defense Forces, but he has long been concerned about Israel’s use of military power. In a new book called “Israel: What Went Wrong?,” Bartov argues that Zionism has morphed into an ideology of extremism that led to genocide in Gaza following the Hamas attacks of October 7th. “There is growing criticism of American support for these kinds of Israeli policies, both on the American left and on the American right,” Bartov tells David Remnick. Bartov believes that Israel requires “shock therapy” because “it has not still come to identify the limits of its own power, because those limits are in Washington, DC and it's there that those limits have to be set.” “For Israel, that would be good, because I think Israel needs to be liberated from that kind of dependence on American power. I think, for American society and for American Jewry, that’s a very bad thing because there is a rise of . . . antisemitism from the Tucker Carlsons of the world, who are a rising force right now.” Further reading: Israel: What Went Wrong?A Holocaust Scholar Meets with Israeli ReservistsHow to Define Genocide New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. New Yorker Radio Hour listeners, we want to hear from you. We have a few questions about the show and how you listen to it. The survey takes about twenty minutes, and your feedback will help us make our podcast better. Take the survey here.

Anna Wintour graces the cover of Vogue’s May issue alongside her theatrical double: Meryl Streep in the role of Miranda Priestly, from “The Devil Wears Prada,” whose much-anticipated sequel comes out on May 1st. Wintour and David Remnick spoke last fall on the day that a sea change took place at Vogue: it was announced that Chloe Malle would take over the editorial direction of the American edition of the publication. They discussed her storied career; her decision to wear Prada to the premiére of “The Devil Wears Prada”; and how Remnick might up his fashion game: “Forgive me, David, but how boring would it be if everybody was just wearing a dark suit and a white shirt all the time?” This segment originally aired on September 5, 2025. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

At the end of February, OpenAI’s C.E.O., Sam Altman, made headlines by swiftly cutting a deal with the Pentagon for his company to replace Anthropic, which had balked at the Trump Administration’s bid to use its A.I. technology to power autonomous weapons and aid in mass surveillance. Days earlier, Altman had publicly supported Anthropic’s position in the dispute. Altman’s rise to power and his founding of OpenAI were predicated on placing safety above other concerns in developing artificial general intelligence. Why did he change his stance on such a fundamental issue? The New Yorker writers Ronan Farrow and Andrew Marantz spoke with Altman multiple times and interviewed more than a hundred people for their investigation into the leader of one of the most powerful companies in the world, comparing Altman to J. Robert Oppenheimer. Although there is no smoking gun in Altman’s hand, the writers find that persistent allegations about his conduct underscore the danger of entrusting him to wield such vast power over the future. Further reading: Sam Altman May Control Our Future—Can He Be Trusted?The Dangerous Paradox of A.I. AbundanceThe A.I. Bubble Is Coming for Your Browser New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

The New Yorker staff writer Louisa Thomas, who writes the Sporting Scene column, talks with David Remnick about the biggest basketball stories this season: how LeBron James embraced a new late-career persona as a great supporting player for the Los Angeles Lakers; the coaching genius of the Celtics’ Joe Mazzulla; and the ongoing scandal over teams deliberately tanking games to secure better prospects in the N.B.A. draft. Further reading: How Much Is a Home Team Worth?LeBron James Is Making His Last Great Adjustment New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

In 2021, when Olga Rudenko and other journalists launched the English-language news outlet the Kyiv Independent, they were committed to making a publication that wouldn’t face political pressure from an owner. A few months later, Russia launched a full-scale invasion of Ukraine, and the Independent began reporting breaking news from the front lines, and conducting investigations of the Ukrainian government. David Remnick talks with Rudenko, the Independent’s editor-in-chief, about the challenges of reporting in wartime; President Volodymyr Zelensky’s pushback on independent journalism; how Iran and Russia have been providing military aid to one another; and why Ukraine cannot accept the peace deal with Russia that Donald Trump is insisting that it take. Further reading: The Assault on Ukraine’s Power GridWhat Are Putin’s Ultimate Demands for Peace in Ukraine?Ukraine Has ‘Irrefutable Evidence’ of Russia Providing Intelligence to Iran, Zelensky SaysAsami TerajimaChina, Iran Help Russia Prop Up Economy in Occupied Ukrainian Territories, Report SaysYuliia TaradiukUkraine Heads to US with Drone Proposal Trump Dismissed Before War with IranWe Interviewed Iran’s Envoy to Ukraine and It Was Absolutely WildPolina Moroziuk New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Thousands of federal prosecutors have been fired or have resigned from their roles since Pam Bondi took over as Attorney General. She has made no secret of weaponizing the Justice Department to pursue Donald Trump’s vendettas. One of those prosecutors is Troy Edwards, who quit a senior national-security position in the Eastern District of Virginia. As an assistant U.S. attorney in DC, Edwardshad won convictions against members of the Oath Keepers for January 6th-related offenses. Edwards is also the son-in-law of the former F.B.I. director James Comey, and, when the Justice Department indicted Comey on grounds widely seen as flimsy, Edwards knew he had reached his red line. (The charges were quickly dismissed, though without prejudice.) The New Yorker’s legal correspondent Ruth Marcus talks with Edwards about his decision to leave, how he broke it to his family, and why he thinks other prosecutors should not follow his lead. Further reading: Pam Bondi’s Contempt for CongressThe Flimsy, Dangerous Indictment of James ComeyPam Bondi’s Power Play New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

The new play “Giant,” on Broadway, dramatizes the scandal around Roald Dahl, the beloved children’s-book author who, in the nineteen-eighties, began making antisemitic statements and invoking stereotypes about Jewish influence. John Lithgow portrays Dahl as he faces off against his American publisher, who presses him to retract his statements. The events that the show focusses on took place more than forty years ago, but they couldn’t be more relevant today, as antisemitism surges during a war in the Middle East. Lithgow joins David Remnick to discuss the question of whether to separate the art from the artist—and about his own hesitation regarding his role as the wizard Dumbledore in HBO’s new “Harry Potter” series, because of J. K. Rowling’s history of anti-trans statements. Further reading: ‘Giant’ Takes on Roald Dahl and his Antisemitism New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Julio Torres got his big break as a writer on “Saturday Night Live,” and went on to make the cult favorites “Los Espookys” and “Fantasmas” for HBO. He also wrote and directed the film “Problemista,” about a toy designer facing deportation. There’s a particular kind of surrealism to Torres’s humor; “I just don’t think his mind works quite like anyone else’s,” the staff writer Michael Schulman says, comparing Torres to “a guest lecturer at an art school . . . laying out his very particular way of seeing the world.” They met in New York to discuss the unique, synesthetic ideas about color which Torres describes in a new HBO special, “Color Theories,” and to check out a few hues at a nearby dollar store. Thanks to Home in Heven and Third Avenue Dollar and More. Further reading: “The Otherworldly Comedy of Julio Torres,” by Michael Shulman New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

The staff writer Jon Lee Anderson has reported from Cuba for many years, and recently wrote about the deteriorating economic conditions on the island. His newest piece for the magazine dives into the potential outcomes of Donald Trump’s desire to pursue regime change. Anderson explores the economic impact of the United States blocking Venezuelan oil from reaching Cuba, which could be a death knell for the Communist government. Anderson and David Remnick discuss the current negotiations between the two countries, Marco Rubio’s strategy, and what cards the Cuban government might still hold. “They’re going to go into this,” Anderson suggests, “like maybe a canny poker player.” Plus, the historian Ada Ferrer won the Pulitzer Prize for her 2022 book, “Cuba: An American History,” and she has one of the clearest views of the long and vexed relationship between the island and its giant neighbor. Ferrer left Cuba as an infant, coming to the United States with her mother in 1963 when Fidel Castro’s regime was arguably at its peak. David Remnick talks with Ferrer about the impact of U.S. sanctions, the economic collapse of Cuba, and what Donald Trump’s threat of a “takeover” means to the Cuban people and to Cuban Americans in the U.S. Further reading: Have Cubans Fled One Authoritarian State for Another?What’s Behind Trump’s New World Disorder? New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Chloé Zhao became only the second woman to win an Oscar for Best Director, for 2020’s “Nomadland,” and she is nominated once again for “Hamnet,” starring Paul Mescal and Jessie Buckley. Based on Maggie O’Farrell’s novel of the same name, the film follows a young William Shakespeare and his wife, and their grief at the loss of their only son. “Hamnet” is also nominated for Best Picture, Best Actress, and five other awards. Speaking with Michael Schulman, Zhao talked about the origins of “Hamnet,” the centrality of nature imagery in her work, and how the I.P. in a Marvel film is not so different from adapting a literary novel. This segment originally aired on December 5, 2025. Further reading: “Chloé Zhao Has Looked into the Void,” by Michael Schulman New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

In the book “The Anxious Generation,” Jonathan Haidt, a social psychologist at New York University, argues that social-media platforms are detrimental to youths’ well-being, and that society needs to treat them as literally addictive. It has spent nearly a hundred weeks on the New York Times best-seller list, and has helped galvanize a movement seeking limits to social media in legislatures, in school districts, and in the courts. David Remnick speaks with Haidt about an Australian law to verify the age of social-media users, the first of its kind in the world, and about lawsuits in California that are aiming to pin liability for harms on social-media companies themselves. Further reading: World Happiness Report 2026Mountains of Evidence New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

When the Oscar nominations were announced this year, Ryan Coogler’s “Sinners” set a record. It received sixteen nominations, the most for any film ever. The fact that it’s, in part, a vampire movie, made by a director who’s not yet forty, makes that feat all the more remarkable. Coogler—who previously directed “Creed” and “Black Panther”—sat down with the New Yorker staff writer Jelani Cobb to discuss the recurrent themes of history, faith, and race in his work, and how he refracted them through the lens of horror in “Sinners.” This segment originally aired on April 11, 2025. Further reading: “Ryan Coogler’s Road to ‘Sinners,’ ” by Jelani Cobb New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

As Iran’s retaliation hit American allies throughout the Middle East this week, David Remnick was joined by two New Yorker writers with decades of experience reporting from the region. Robin Wright has reported from Iran extensively, and she met with Ali Khamenei before he became the Supreme Leader of Iran; Dexter Filkins covered the wars in Iraq and Afghanistan, and he has been reporting on the Pentagon and military readiness. Filkins and Wright discuss the possibilities for future leadership in Iran; the Administration’s chaotic statements in regard to its goals and time frame; and the economic impact of the war, which is already being felt around the globe. Further reading: “What Ayatollah Ali Khamenei Meant to Iran, and What Comes Next,” by Robin Wright "How Marco Rubio Went from “Little Marco” to Trump’s Foreign-Policy Enabler,” by Dexter Filkins “The Forever War,” by Dexter Filkins New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

David Remnick sits down with Mickey Down and Konrad Kay, the creators of a show he loves, “Industry,” which is currently airing its fourth season. The show is centered on the financial and personal dramas of junior employees at a fictional London investment bank. Down and Kay are old friends who both did unsuccessful stints in banking. “Before we could formulate our own identities, we allowed the institution to make them for us,” Down tells Remnick. But, having left finance for television, he says, “I still feel like I want to make money. . . . I’m never content with my career. The reason our show feels like it’s constantly changing and vibrating with electricity is because me and Konrad are, in terms of our careers. And, you know, we want to be successful. We were finance bros in the first instance.” New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

As Donald Trump and his Administration threaten to attack Iran, their motivations remain unclear. Does the President want to force Iran to make a nuclear deal, to replace the one that he scrapped in his first term, or is he really seeking regime change? To understand how this all might play out, David Remnick speaks with Karim Sadjadpour, a policy analyst at the Carnegie Endowment for International Peace, who writes about the Middle East for Foreign Affairs and other publications. Citing the disastrous precedents in Afghanistan and Iraq, Sadjadpour notes, “the last two decades has proven that we don’t have the ability to dictate . . . who comes to power the day after a military attack.” Plus, After protests over the economy erupted across Iran late last year, reports emerged that the regime was killing protesters. Donald Trump threatened to intervene, but did not. Estimates vary widely, but some note that thirty thousand people or more may have been killed. Now, as the U.S. sends a huge military force to the Gulf, Iranians are waiting for war—and many in the country are in the shocking position of hoping for conflict, if it will end the Ayatollah’s government. The reporter Cora Engelbrecht has been recording her conversations with sources on the ground about what that could mean. Their voices were altered or overdubbed for our story, to protect them from reprisal. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Ozempic and other GLP-1 drugs have had a major impact in their short time on the market—currently, one in eight Americans say that they have been on GLP-1 drugs. As tens of millions of people take these medications, anecdotal evidence has emerged that they have a positive effect on alcohol abuse and drug addiction. Researchers are starting to run trials of the drugs for these purposes, and some speculate that GLP-1 drugs could even affect addiction behaviors such as gambling and online shopping. The physician and New Yorker medical correspondent Dhruv Khullar spoke with scientists and patients. “Over the course of my reporting,” he tells David Remnick, “I became more and more bullish on the idea that these are actually going to be really important molecules for the treatment of addiction.” Dhruv Khullar’s “Can Ozempic Cure Addiction?” was published on February 9th. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Hosting the Academy Awards ceremony is a notoriously tricky gig, but Conan O’Brien nailed it in 2025, and he will return for this year’s event. Since leaving late-night television, in 2021, O’Brien has been busy: his hit podcast “Conan O’Brien Needs a Friend” commands perhaps a larger audience than he had on late night; he launched the travel series “Conan O’Brien Must Go”; and he’s played a therapist in the 2025 film “If I Had Legs I’d Kick You.” O’Brien talks with David Remnick about the things that have gone wrong at the Oscars; why he won’t get too “sentimental” about the gradual collapse of late night; and his shock at the deaths of Rob and Michele Reiner, who had been at O’Brien’s house on the night they were killed. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Every year, ahead of Oscar night, the film critic Richard Brody joins the New Yorker Radio Hour to discuss his picks for the year’s best films. David Remnick sits down with Brody and the staff writer Alexandra Schwartz to discuss the movies that didn’t get enough credit, the ones that got too much, and the lesser-known gems among the year’s releases. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

In January, the Justice Department released over three million documents, including many redacted e-mails, related to Jeffrey Epstein. “Should we share the Julie Brown text with Alan [Dershowitz],” Epstein wrote in one note to a lawyer. “She is going to start trouble. Asking for victims etc.” Brown’s reporting on Epstein for the Miami Herald, and her revelations about the federal plea deal he received, had an enormous impact on public perception of Epstein and his ties to Trump. Brown joins David Remnick to discuss the latest tranche of redacted e-mails, which show, as she reported, that Trump knew about his friend’s crimes far earlier than he has admitted. Brown and Remnick also talk about Epstein’s relationship with Commerce Secretary Howard Lutnick, and why she does not believe that Epstein died by suicide. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Jenin Younes rose to prominence on the right by defending medical professionals like Jay Bhattacharya who claimed that they were being censored over opposition to vaccination and masking mandates. Younes worked for the New Civil Liberties Alliance, a group described as libertarian, and appeared at events with the Federalist Society. As the political winds have shifted, she says that the Trump Administration’s attacks on free speech are worse than anything that she saw during the Biden Administration. Younes is currently the national legal director for the American-Arab Anti-Discrimination Committee. David Remnick speaks with her about her unlikely trajectory and about how her commitment to free speech—regardless of which side of the aisle the issue arises from—has left her in a uniquely lonely political position. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.